In the seventeenth century the Czech educator Jan Amos Comenius wrote the Didactica Magna, the Great Didactic, proposing something startling for its time: that teaching well was a subject that could be studied and improved, rather than a personal knack some people had. Much of what he argued for — start from the concrete, move in an order that respects how understanding builds, do not make children memorise what they do not understand — would not be out of place in a teacher-training course now.
The German-speaking tradition carried that on and made it its own field. In the twentieth century Wolfgang Klafki put a question at its centre that still reads as uncomfortably demanding: what is it about this particular content that makes it worth a person’s time, and what does understanding it actually open up for them? Not how to cover the syllabus. What the material is for.
That is the background we work in. It is also why we find it strange when teaching method is treated as something to bolt onto a content platform once the video hosting works.